By: Jennifer Alvarado
A movie with nearly no dialogue. You’d be surprised at how your blood runs cold at the sight of it. With a well-known career as an actor, but not as a director, it was easy to be skeptical about John Krasinki’s abilities behind the camera. Nevertheless, he surpassed everyone’s expectations with the horror/thriller movie “A Quiet Place,” and did it once again with the sequel.
In a film bound by the limitations that come with not being able to make a sound, it can become easy to rely
too heavily on other elements of film- making, but Krasinski uses the perfect balance of sound, mise-en-scène and narrative. This, of course, is supplemented by the incredible acting of Emily Blunt, Krasinski, Cillian Murphy, Noah Jupe and Millicent Simmonds.
The movie, which takes place in a small town, starts with Krasinksi’s character, Lee Abbott, and his deaf daughter, Regan (Simmonds), walking to their truck after seeing an unknown object making its way to Earth. Only moments after that, we catch our first glimpse of the terrors in this movie.
After some action-packed sequences featuring the Abbott family struggling to escape creatures with significantly enhanced hearing abilities and a great number of sharp teeth, we move for-ward in time to day 474, after the tragic events of the first movie transpired.
Evelyn Abbott (Blunt), along with her three children, Regan, Marcus, and baby Abbott, were forced to continue moving in search of asylum somewhere safe, all while mourning the loss of Lee, who sacri-ficed himself at the end of the first movie.
With the knowledge that Regan’s cochlear implant could produce high-frequency audio that temporarily incapacitates the creatures, the family walks a path surrounded by greenery in every direction. Slow, steady camera movements add to the tension and the constant thought that any sudden noise could alert the creatures to their presence.
Finally, Regan and a family friend arrive at an island safe from the creatures. Mean-while, Evelyn, Marcus and baby Abbott are at an abandoned steel mAill, trying to fend off the creatures that have made their way into their temporary hiding spot.
With scenes that display the parallels in the situations the children are in, we see that this entire time, Krasinski was setting the film up to make the kids the heroes, the ones that ultimately use their courage and creative thinking to aid the adults in finding a haven. Whereas in the first movie Krasinski primarily directed his focus to the concept of parents risking and sacrificing everything for their children, he flipped that around and allowed for Simmonds and Jupe to be given the spotlight.