By Yasmina Cabrera
New York City, NY
In American culture, it’s common to depict issues of race through a token person of color – a generally one-dimensional character who goes against all stereotypes of their ethnic group and whose sole purpose in the story is to further the character development of the racist protagonist. Think Sidney Poitier in ‘In the Heat of the Night,’ Wilmer Valderrama in ‘That ’70s Show,’ and Samuel L. Jackson in anything.
By Abby Dotterer
Parents are usually perceived as loving, caring people who can do no wrong — at least to their children. But what happens when you learn your father, the one who changed your diapers and went to each of your football games, wasn’t who you thought he was?
“Appropriate,” written by Princeton University alumnus Branden Jacobs-Jenkins, is a play that follows an Arkansas family who gathers to divvy up their recently deceased father’s estate. The line delivery sometimes felt cheesy and over-performed, and the storyline is as unresolved as the issues it represents.
By Jasmin Lee
Oakland Gardens, N.Y.
When Orpheus looked back, Eurydice disappeared — so did the audience.
Directed by Wesley Cornwell and written by award-winning playwright Sarah Ruhl, Eurydice retells the myth of Orpheus and his wife in a modernized setting from Eurydice’s perspective.
The play was not memorable. The production did have some clever aspects and notable scenes supported by a strong cast. However, the modernization didn’t capture the essence of the original. The humor didn’t correlate with the narrative and some of the concepts were too abstract. Continue reading
By Sharon Bayantemur
Whether it’s a creative use of string to serve as a makeshift wedding ring or unnatural sounding dialogue at the beginning of the play, “Eurydice” has its ups and downs. Its theme of ambiguity is established early in the play when Orpheus describes a song he wrote as “interesting or not interesting. It just is.”
The Princeton Summer Theatre’s production, written by Sarah Ruhl, is running from Aug. 6-16 at the Hamilton Murray Theater. It’s a modern take on an ancient Greek myth in which a half-mortal, Orpheus, enters the underworld to save the woman he loves. This version was centered on Eurydice instead of Orpheus and how he is able to charm people around him with his music. Continue reading
By Kathy Kang
People want to do their best in the world and struggle to do so, which is heartbreaking,” said Emma Watt ’13, when discussing the Princeton Summer Theatre’s production of “Time Stands Still.”
The play, written by Donald Margulies, is the fourth and final show of the summer seasons, said Watt, who is the theater’s artistic director. Continue reading
By Jhazalyn Prince
The theatre was comfortably small. Specks of dust wafted through the still air as the lights above dimmed completely, leaving the audience in darkness and suspense. Immediately we were introduced to the two main characters: a spunky, independent photographer named Sarah and her eager-to-please journalist boyfriend, James.
By Jeanne Li
New York, N.Y.
“There is so much beauty in the world, but you just see misery. Both of you!” – Mandy
“People need to know. Hundreds and thousands of lives are at stake!” – James
This tension over journalistic purpose was at the center of the Princeton Summer Theater’s fourth and final play of its 45th season, “Time Stands Still,” which played from Aug. 1-4, and Aug. 8-11. Continue reading