Rave’n DaJon Coleman
After the first Republican presidential debate on Aug. 6, Donald Trump is still the talk of the nation. He didn’t sink or rise. Trump was his usual self onstage: controversial, somewhat serious, and hilarious. When Fox News anchor Megyn Kelly questioned Trump about his past comments describing women as “fat pigs, dogs, slobs, and disgusting animals,” he interrupted her by saying, “Only Rosie O’Donnell.” The crowd loved it.
Going into the debate I believed that Trump was a legitimate candidate. Now I have a bolder statement to make: Trump will win the Republican presidential nomination. Continue reading
Cuba’s troubled relationship with the United States has been playing out like a bad movie for a long time. It’s been 55 years since 1960, the year America placed a trade embargo on the island, and 56 years since 1961, the year all diplomatic relations ended. Now the plot of the movie has taken a dramatic turn, with President Obama’s July 1 announcement that the U.S. and Cuba are restoring relations with each other. In the wake of the announcement, the Cuban immigrant community in Miami is torn about whether to celebrate — and with good reason, because there are strong arguments on both sides.
Miami’s Cuban community is made up largely of those who have fled the Castro regime over the decades. The regime left many people in poverty, except the very elite, and imprisoned anyone who opposed it. Continue reading
We are in the midst of a fight for civil rights. The abrupt killings of Trayvon Martin, Eric Garner, and other unarmed black men have caused mass outrage. This summer, a massacre at a historic black church in Charleston made it clear that there is still much progress to be made. A Confederate flag flying near South Carolina’s capitol also highlighted that despite many advancements, symbols of racism have become ingrained in our everyday lives.
In July, protesters forced South Carolina to remove the flag. But many other streets, libraries, and even our currency, undeservedly honor historical figures that implemented racist policies. If we want to progress as a nation, we shouldn’t stop at removing the Confederate flag — we should reconsider the names of our schools. Continue reading
Donald Trump started his surprisingly successful presidential campaign by pointing a finger at Mexico. “When Mexico sends its people, they’re not sending their best,” he said. “They’re bringing drugs, they’re bringing crime. They’re rapists and some, I assume, are good people,” Trump argues that building a wall, paid by Mexico, would stop the influx of immigrants.
Mexican immigrants moved in large numbers toward the United States in the 19th and 20th centuries. Of course, Mexican immigrants still continue to migrate, but now in smaller numbers. In the past few years most immigrants crossing the U.S. border with Mexico have been from other Central American countries. Continue reading
By Jasmin Lee
Oakland Gardens, N.Y.
When Orpheus looked back, Eurydice disappeared — so did the audience.
Directed by Wesley Cornwell and written by award-winning playwright Sarah Ruhl, Eurydice retells the myth of Orpheus and his wife in a modernized setting from Eurydice’s perspective.
The play was not memorable. The production did have some clever aspects and notable scenes supported by a strong cast. However, the modernization didn’t capture the essence of the original. The humor didn’t correlate with the narrative and some of the concepts were too abstract. Continue reading
By Sharon Bayantemur
Whether it’s a creative use of string to serve as a makeshift wedding ring or unnatural sounding dialogue at the beginning of the play, “Eurydice” has its ups and downs. Its theme of ambiguity is established early in the play when Orpheus describes a song he wrote as “interesting or not interesting. It just is.”
The Princeton Summer Theatre’s production, written by Sarah Ruhl, is running from Aug. 6-16 at the Hamilton Murray Theater. It’s a modern take on an ancient Greek myth in which a half-mortal, Orpheus, enters the underworld to save the woman he loves. This version was centered on Eurydice instead of Orpheus and how he is able to charm people around him with his music. Continue reading
By Misbah Awan
I am not an avid viewer of celebrity videos, partially because they don’t interest me but mostly because I know if I were to invest in watching them, I would feel as if my brain cells were slowly dying because of how these stars are represented.
Rihanna is different. She co-directed her most recently released video, “Bitch Better Have My Money.” While some white, female critics demonstrated discomfort with Rihanna’s video, I was not shocked by what I saw. I was amused. Continue reading
By Katherine Powell
In Bill Condon’s Mr. Holmes, Ian McKellen plays Sherlock Holmes, the famous fictitious detective. Holmes has retired to the countryside, to tend to bees and try to remember his last case, which led him to retire from his detective work. Holmes knows that the popular novel written by Watson has incorrectly made him the hero, but he has lost the threads of his memory. He lives in his home with a housekeeper, the widowed Mrs. Munro (Laura Linney) and her son Roger. Holmes is his typical gruff self, untangling the facts and investigating his own memory, while he grapples with his failing mind and feelings of loneliness.
One theme of the film is how much people need other people. Holmes spends his time trying to reconstruct the facts of his final investigation. He discovers that his fundamental mistake was not offering comfort to the woman, just cold facts. He realizes that logic is not the only thing that matters, and he becomes close to his housekeeper and her son, establishing a very sweet connection with the two. Continue reading
By Jasmin Lee
Oakland Gardens, N.Y.
When you hear the name Sherlock Holmes, an image of a lanky man wearing a deerstalker and smoking a pipe in the shadows of a dark alleyway comes to mind. Mr. Holmes, directed by Bill Condon and based on Mitch Cullin’s novel, “A Slight Trick of the Mind,” offers a very different Holmes.
The film features an elderly Holmes (Ian McKellen) residing in a Sussex village with a widowed housekeeper Mrs. Munro (Laura Linney) and her 14-year-old son Roger (Milo Parker). Set in 1947, the film centers on a tormented Holmes, who is haunted by fading memories of a 30-year-old case that caused him to go into retirement. Continue reading
By Juliana Kim
When Gillian Knapp first walked into the Garden State Youth Correctional Facility, she remembers the doors clanging shut behind her and the smell that lingered in the hallways. It was an odor familiar only to those who’ve ever been to a prison. As she walked through security, she didn’t know what to expect.
But Knapp wasn’t heading for a cell. Instead, she was going to a classroom.
Knapp, a retired astrophysics professor, now leads the Prison Teaching Initiative (PTI). After more than 25 years teaching at Princeton University, she decided she needed a change. With four other astrophysicists, she decided to take on the prison education crisis in the United States. Continue reading