By Kevin Song
New York City, NY
Based on the real-life experience of actor and comedian Kumail Nanjiani, ‘The Big Sick’ tells the story of Kumail’s struggles living as a comedian and part-time Uber driver in Chicago. Kumail meets a girl named Emily at one of his shows, and the two embark on a turbulent relationship.
By Kiana Hunter
Based on the clash of traditional and modern Pakistani culture in American society, ‘The Big Sick,’ directed by Michael Showalter, touches on the themes of love, tradition, and stereotypes. The movie begins with the protagonist, Kumail Nanjiani, and his love interest, Emily, meeting at his stand-up comedy show. The pair starts dating, but Kumail’s family, strongly rooted in Pakistani cultural traditions, pressures him to marry a Pakistani woman.
By Aleksandra Wicko
Drifting away from traditional Hollywood romance, ‘The Big Sick’ takes a refreshing and hilarious approach to a conventional form and does justice to complicated real-life relationships. Based on the true story of Kumail Nanjiani and his wife Emily V. Gordon, the issue of interracial relationships provides a compelling narrative that includes a big secret and a medically-induced coma.
By Yasmina Cabrera
New York City, NY
In American culture, it’s common to depict issues of race through a token person of color – a generally one-dimensional character who goes against all stereotypes of their ethnic group and whose sole purpose in the story is to further the character development of the racist protagonist. Think Sidney Poitier in ‘In the Heat of the Night,’ Wilmer Valderrama in ‘That ’70s Show,’ and Samuel L. Jackson in anything.
By Abby Dotterer
Parents are usually perceived as loving, caring people who can do no wrong — at least to their children. But what happens when you learn your father, the one who changed your diapers and went to each of your football games, wasn’t who you thought he was?
“Appropriate,” written by Princeton University alumnus Branden Jacobs-Jenkins, is a play that follows an Arkansas family who gathers to divvy up their recently deceased father’s estate. The line delivery sometimes felt cheesy and over-performed, and the storyline is as unresolved as the issues it represents.
By Hector Gutierrez
Through the glass walls of Princeton’s new arts complex, viewers can see rooms hanging from the ceiling, as though they are waiting to be secured into the rest of the building. But the rooms will remain where they are, held by strings attached to the ceiling. The unique structure is designed to isolate the rooms from each other so musical vibrations do not travel.
The beauty of the building cannot conceal the fact that Princeton has not always emphasized arts in this way. As the Princeton campus prepares to welcome the $300 million architectural marvel that will house the production of myriad masterpieces as well as a new Dinky station, it marks a transition from the period when arts weren’t integrated as an important component of the curriculum. Continue reading
By Xuan Truong
Woody Allen opens the curtain once again to unveil his latest work, “Café Society.” He takes us back into a world filled with jazz, expensive wines, and wealthy socialites set against the backdrop of the raging ‘30s.
“Café Society” is the product of Allen’s finest cinematography, with a blend of vibrant colors and brilliant composition that create a dazzling mask. But behind the mask lies something much darker. Continue reading