By Hector Gutierrez
Through the glass walls of Princeton’s new arts complex, viewers can see rooms hanging from the ceiling, as though they are waiting to be secured into the rest of the building. But the rooms will remain where they are, held by strings attached to the ceiling. The unique structure is designed to isolate the rooms from each other so musical vibrations do not travel.
The beauty of the building cannot conceal the fact that Princeton has not always emphasized arts in this way. As the Princeton campus prepares to welcome the $300 million architectural marvel that will house the production of myriad masterpieces as well as a new Dinky station, it marks a transition from the period when arts weren’t integrated as an important component of the curriculum. Continue reading
By Xuan Truong
Woody Allen opens the curtain once again to unveil his latest work, “Café Society.” He takes us back into a world filled with jazz, expensive wines, and wealthy socialites set against the backdrop of the raging ‘30s.
“Café Society” is the product of Allen’s finest cinematography, with a blend of vibrant colors and brilliant composition that create a dazzling mask. But behind the mask lies something much darker. Continue reading
By Angel Santana
Woody Allen’s new film, “Café Society,” features some of the most flawless actors in Hollywood today: Jesse Eisenberg, Kristen Stewart and Steve Carell. Allen is a highly respected director and is one of the most experienced directors alive. While the film has a lot of potential, it falls short.
Taking place in the 1930s, Eisenberg plays an awkward, ambitious young man named Bobby Dorfman who leaves his bickering parents, gangster brother and loving sister in New York to pursue an acting career in Los Angeles. His uncle, Phil, played by Carell, is a major talent agent who hires Bobby to do odd jobs. Bobby meets Phil’s secretary, Vonnie, played by Kristen Stewart, and falls in love with her. However, Vonnie has a boyfriend. Continue reading
By Katie Okumu
In the twilight of Woody Allen’s career, he has created a substantial array of movies that have struggled to match the originality and depth of his earlier works.
In “Café Society,” his most recent endeavor at storytelling, Allen tells a familiar narrative through another awkwardly bumbling lead actor in a different period (1930s America).
Jesse Eisenberg plays Bobby, a down on his luck, Jewish, New York-native who moves to Hollywood in order to work for his celebrity agent Uncle Phil (Steve Carell). Continue reading
By Kay-Ann Henry
Miami Gardens, FL
Just in: Meryl Streep is an unbelievable actress. OK, that isn’t anything new. After all, she has been nominated for 19 Academy Awards. She is the solute, and her roles are solvents; she always blends together outstanding solutions. Her performance in “Florence Foster Jenkins” is no different.
Streep plays the title character, a wealthy American socialite who seems to have everything —except the one thing she really wants. Set in 1944, the movie tells the true story of a woman whose love for music drives her to a memorable —and completely awful—concert in Carnegie Hall. Streep’s performance is both hilarious and poignant. She successfully portrays someone who is grounded enough to function in society, but detached enough that she can’t recognize her lack of musical ability. Continue reading
By Meherina Khan
“Florence Foster Jenkins” is a biographical comedy that follows the eponymous New York socialite and philanthropist, played by Meryl Streep, as she strives to establish herself as a passionate—though not very talented—opera singer. Although enthusiastic, every yelp and moan was so awful; it was hard to suppress the tears and winces that came along with hearing such an unpleasant voice.
As a rich patron of the arts, it wasn’t hard for Jenkins to buy out Carnegie Hall and live out her deeply vested dream to perform. Her concert became legendary—more for her ability to be tone deaf rather than her skill to carry a botched tune. Continue reading
By Jasmin Lee
Oakland Gardens, N.Y.
When Orpheus looked back, Eurydice disappeared — so did the audience.
Directed by Wesley Cornwell and written by award-winning playwright Sarah Ruhl, Eurydice retells the myth of Orpheus and his wife in a modernized setting from Eurydice’s perspective.
The play was not memorable. The production did have some clever aspects and notable scenes supported by a strong cast. However, the modernization didn’t capture the essence of the original. The humor didn’t correlate with the narrative and some of the concepts were too abstract. Continue reading