Tag Archives: Movie Review

‘Old Guard’ Has Little New To Show

Untitled drawing (1)Maggie Salinas

By Tara Monastesse

Warwick, R.I.

Andromache, or Andy, played by Charlize Theron, is the battle-hardened leader of a group of immortal warriors who serve as de facto protectors of the planet. In “The Old Guard,” Andy finds her crew targeted by greedy scientists who plan to kidnap them, extract their biological data, and replicate their powers of regeneration. Directed by Gina Prince-Bythewood, the film brings impressive choreography and new concepts to the action genre. But it stops just short of transcending it.

Perhaps the biggest flaw with “The Old Guard” is the risks it doesn’t take. While the rogue group of scientists is clearly immoral, the movie never delves into the serious question posed by their attempt to create a drug that extends human life: What do we owe to the rest of humanity? Moral questions like this present themselves throughout the movie, but instead of exploring them further, Prince-Bythewood always swerves back to more traditional fight sequences.

There’s certainly nothing wrong with that—after all, who doesn’t love watching Charlize Theron bring a sword to a machine gun fight? For a movie that’s trying to bring new depth to the genre, however, the lack of commitment to challenging storytelling in favor of gunshots and bloodshed feels tiresome. When a new member of the immortals’ group, Nile Freeman, played by KiKi Layne, questions Andy about the lives she takes without hesitation, the film appears to be on the cusp of an engaging conversation about the nature of life and death. Instead, they part ways and return to their action-flick adventures.

The immortals in the film feel almost hollow, as if their centuries of life had no role in shaping the people they’ve become. While Andy has mastered multiple languages and fighting styles over the course of human history, she ultimately presents herself as any other 21st century woman would. This is understandable, since hiding her immortality is easier if she blends in. But Theron doesn’t quite convey the burden you might feel defending humanity over centuries; often, she just looks tired.

However, I enjoyed the dynamic between the immortals, their camaraderie and constant wise-cracks, as well as the compelling romantic relationship between immortals Joe (Marwan Kenzari) and Nicky (Luca Marinelli). Despite its shortcomings, “The Old Guard” is a fun addition to the world’s pandemic playlist. I just wish it were more than that.

Immortals In ‘Old Guard’ Also Show Their Human Side

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By Hana Hammad

Debary, Fla.

The Old Guard” follows a strong female lead, Andy (Charlize Theron), an immortal trying to change the world she’s lived in for eternity. Andy stands at the head of a group of immortal warriors—Booker (Matthias Schoenaerts), Joe (Marwan Kenzari), and Nicky (Luca Marinelli)—that she discovered and trained over centuries.

One night, the immortals have a collective dream of a female Marine, Nile (KiKi Layne), a soldier who was killed in Afghanistan but mysteriously comes back to life. Andy seeks out the Marine to join her immortal warrior team—but Nile resists, confused about what is happening to her. Having lost her father a few years prior, she’s hesitant to leave her family.

Andy and her immortal warrior team are betrayed by an ex-CIA agent, Copley (Chiwetel Ejiofor), who traps them in an evil scientific research lab. The lab captures Nicky and Joe to perform tests on them for medical research. Along the way, a betrayal and plenty of action ensue.

The movie was enjoyable because it didn’t take long for the plot to pick up. The love story between Nicky and Joe was beautiful. Seeing that they had been by each other’s sides for hundreds of years softened the movie’s hard edges.

In many action movies, the theatrical fighting and explosives can be too raw, or even boring. But “The Old Guard” was able to tie in elements of love and action to make the characters seem more human, despite their immortality. Similarly, Andy’s backstory with Quynh—an immortal whose fate is revealed through a series of flashbacks—made me love the movie so much more. The strength of them together in battle scenes fighting side by side was magical.

The only downside to this movie was the predictability of some of the plotlines. The big betrayal of the film is similar to many others, such as “Big Hero 6,” “The Matrix,” and “Star Wars Episode III: Revenge of the Sith.” But overall, “The Old Guard” has to be one of my favorite action movies. I typically don’t care to watch action movies but this one kept me engaged the whole time.

“The Big Sick” tells a tale of love and immigrant families

By Kevin Song
New York City, NY

Based on the real-life experience of actor and comedian Kumail Nanjiani, ‘The Big Sick’ tells the story of Kumail’s struggles living as a comedian and part-time Uber driver in Chicago. Kumail meets a girl named Emily at one of his shows, and the two embark on a turbulent relationship.

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A new twist on a romantic comedy

By Aleksandra Wicko
Chicago, IL

Drifting away from traditional Hollywood romance, ‘The Big Sick’ takes a refreshing and hilarious approach to a conventional form and does justice to complicated real-life relationships. Based on the true story of Kumail Nanjiani and his wife Emily V. Gordon, the issue of interracial relationships provides a compelling narrative that includes a big secret and a medically-induced coma.

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Cynical tale spoils sparkling cinematography

By Xuan Truong
Springfield, MA

Woody Allen opens the curtain once again to unveil his latest work, “Café Society.” He takes us back into a world filled with jazz, expensive wines, and wealthy socialites set against the backdrop of the raging ‘30s.

“Café Society” is the product of Allen’s finest cinematography, with a blend of vibrant colors and brilliant composition that create a dazzling mask. But behind the mask lies something much darker. Continue reading

Flat characters deflate Woody Allen’s latest

By Angel Santana
Pennsauken, NJ

Woody Allen’s new film, “Café Society,” features some of the most flawless actors in Hollywood today: Jesse Eisenberg, Kristen Stewart and Steve Carell. Allen is a highly respected director and is one of the most experienced directors alive. While the film has a lot of potential, it falls short.

Taking place in the 1930s, Eisenberg plays an awkward, ambitious young man named Bobby Dorfman who leaves his bickering parents, gangster brother and loving sister in New York to pursue an acting career in Los Angeles. His uncle, Phil, played by Carell, is a major talent agent who hires Bobby to do odd jobs. Bobby meets Phil’s secretary, Vonnie, played by Kristen Stewart, and falls in love with her. However, Vonnie has a boyfriend. Continue reading

“Café Society”: Stunning visuals, lackluster plot

By Katie Okumu
Berea, KY

In the twilight of Woody Allen’s career, he has created a substantial array of movies that have struggled to match the originality and depth of his earlier works.

In “Café Society,” his most recent endeavor at storytelling, Allen tells a familiar narrative through another awkwardly bumbling lead actor in a different period (1930s America).

Jesse Eisenberg plays Bobby, a down on his luck, Jewish, New York-native who moves to Hollywood in order to work for his celebrity agent Uncle Phil (Steve Carell).  Continue reading

“Jenkins” hits the right notes

By Kay-Ann Henry
Miami Gardens, FL

Just in: Meryl Streep is an unbelievable actress. OK, that isn’t anything new. After all, she has been nominated for 19 Academy Awards. She is the solute, and her roles are solvents; she always blends together outstanding solutions. Her performance in “Florence Foster Jenkins” is no different.

Streep plays the title character, a wealthy American socialite who seems to have everything —except the one thing she really wants. Set in 1944, the movie tells the true story of a woman whose love for music drives her to a memorable —and completely awful—concert in Carnegie Hall. Streep’s performance is both hilarious and poignant. She successfully portrays someone who is grounded enough to function in society, but detached enough that she can’t recognize her lack of musical ability.  Continue reading

Streep shines in “Florence Foster Jenkins”

By Meherina Khan
Katy, TX

“Florence Foster Jenkins” is a biographical comedy that follows the eponymous New York socialite and philanthropist, played by Meryl Streep, as she strives to establish herself as a passionate—though not very talented—opera singer. Although enthusiastic, every yelp and moan was so awful; it was hard to suppress the tears and winces that came along with hearing such an unpleasant voice.

As a rich patron of the arts, it wasn’t hard for Jenkins to buy out Carnegie Hall and live out her deeply vested dream to perform. Her concert became legendary—more for her ability to be tone deaf rather than her skill to carry a botched tune.  Continue reading

Hoffman shines in dull spy feature

Philip Seymour Hoffman stars in ‘A Most Wanted Man’ as a brilliant but troubled spy. This was Hoffman’s final role before his unexpected death in February.

Philip Seymour Hoffman stars in ‘A Most Wanted Man’ as a brilliant but troubled spy. This was Hoffman’s final role before his unexpected death in February.

By Catherina Gioino
Queens, N.Y.

In a society where fears of terrorism are often racially and religiously-charged, there comes a point at which people must rethink their prejudices. Such is the message of “A Most Wanted Man,” a film set in a post-September 11th era when governments are on the lookout for terrorists.

A darkening title card sets the tone for the film, by detailing the German government’s failure to detect Mohammad Atta, one of the masterminds of the 9/11 attacks. Some time later, Issa Karpov (Grigoriy Dobrygin) — a man sought after by counterterrorism officials — mysteriously appears in Hamburg. Karpov, a suspected Chechen terrorist, is the initial subject of investigation by Günther Bachmann (Philip Seymour Hoffman), a troubled and brilliant spy. Continue reading