By Katie Okumu
In the twilight of Woody Allen’s career, he has created a substantial array of movies that have struggled to match the originality and depth of his earlier works.
In “Café Society,” his most recent endeavor at storytelling, Allen tells a familiar narrative through another awkwardly bumbling lead actor in a different period (1930s America).
Jesse Eisenberg plays Bobby, a down on his luck, Jewish, New York-native who moves to Hollywood in order to work for his celebrity agent Uncle Phil (Steve Carell). Continue reading
By Kay-Ann Henry
Miami Gardens, FL
Just in: Meryl Streep is an unbelievable actress. OK, that isn’t anything new. After all, she has been nominated for 19 Academy Awards. She is the solute, and her roles are solvents; she always blends together outstanding solutions. Her performance in “Florence Foster Jenkins” is no different.
Streep plays the title character, a wealthy American socialite who seems to have everything —except the one thing she really wants. Set in 1944, the movie tells the true story of a woman whose love for music drives her to a memorable —and completely awful—concert in Carnegie Hall. Streep’s performance is both hilarious and poignant. She successfully portrays someone who is grounded enough to function in society, but detached enough that she can’t recognize her lack of musical ability. Continue reading
By Meherina Khan
“Florence Foster Jenkins” is a biographical comedy that follows the eponymous New York socialite and philanthropist, played by Meryl Streep, as she strives to establish herself as a passionate—though not very talented—opera singer. Although enthusiastic, every yelp and moan was so awful; it was hard to suppress the tears and winces that came along with hearing such an unpleasant voice.
As a rich patron of the arts, it wasn’t hard for Jenkins to buy out Carnegie Hall and live out her deeply vested dream to perform. Her concert became legendary—more for her ability to be tone deaf rather than her skill to carry a botched tune. Continue reading
By Katherine Powell
In Bill Condon’s Mr. Holmes, Ian McKellen plays Sherlock Holmes, the famous fictitious detective. Holmes has retired to the countryside, to tend to bees and try to remember his last case, which led him to retire from his detective work. Holmes knows that the popular novel written by Watson has incorrectly made him the hero, but he has lost the threads of his memory. He lives in his home with a housekeeper, the widowed Mrs. Munro (Laura Linney) and her son Roger. Holmes is his typical gruff self, untangling the facts and investigating his own memory, while he grapples with his failing mind and feelings of loneliness.
One theme of the film is how much people need other people. Holmes spends his time trying to reconstruct the facts of his final investigation. He discovers that his fundamental mistake was not offering comfort to the woman, just cold facts. He realizes that logic is not the only thing that matters, and he becomes close to his housekeeper and her son, establishing a very sweet connection with the two. Continue reading
By Jasmin Lee
Oakland Gardens, N.Y.
When you hear the name Sherlock Holmes, an image of a lanky man wearing a deerstalker and smoking a pipe in the shadows of a dark alleyway comes to mind. Mr. Holmes, directed by Bill Condon and based on Mitch Cullin’s novel, “A Slight Trick of the Mind,” offers a very different Holmes.
The film features an elderly Holmes (Ian McKellen) residing in a Sussex village with a widowed housekeeper Mrs. Munro (Laura Linney) and her 14-year-old son Roger (Milo Parker). Set in 1947, the film centers on a tormented Holmes, who is haunted by fading memories of a 30-year-old case that caused him to go into retirement. Continue reading
Philip Seymour Hoffman stars in ‘A Most Wanted Man’ as a brilliant but troubled spy. This was Hoffman’s final role before his unexpected death in February.
By Catherina Gioino
In a society where fears of terrorism are often racially and religiously-charged, there comes a point at which people must rethink their prejudices. Such is the message of “A Most Wanted Man,” a film set in a post-September 11th era when governments are on the lookout for terrorists.
A darkening title card sets the tone for the film, by detailing the German government’s failure to detect Mohammad Atta, one of the masterminds of the 9/11 attacks. Some time later, Issa Karpov (Grigoriy Dobrygin) — a man sought after by counterterrorism officials — mysteriously appears in Hamburg. Karpov, a suspected Chechen terrorist, is the initial subject of investigation by Günther Bachmann (Philip Seymour Hoffman), a troubled and brilliant spy. Continue reading
Courtesy of IFC Productions
By Jodi Sterling
New York, N.Y.
In his newest feature, writer and director Richard Linklater captures the life of a typical American kid — from dealing with his older sister annoyingly singing Britney Spears to consuming mushrooms on his first day of college. Linklater’s independent film “Boyhood” is a drama that follows a boy through his 12-year journey from childhood to adulthood.
The film tracks Mason (Ellar Coltrane) as he grows up with his struggling mother, Olivia (Patricia Arquette) and his obnoxious sister, Samantha (Lorelei Linklater). Throughout the film, Mason comes face-to-face with many challenges as he tries to figure out the meaning of this thing called life. As Mason grows from year to year, the viewer sees a realistic perspective of a young kid growing up in America, and the ups and downs that go along with it. Continue reading